Mardi Gras Indians Super Sunday (March 21th 2010 uptown New Orleans)
Every year on the closest Sunday to St. Joseph day, the Mardi Gras Indians parades uptown New Orleans where visitors and locals can admire their amazing costumes, and follow the parade with them. The Super Sunday parade, after being postponed from prevous Sunday, ended at Taylor park with more music and food…don’t miss this very unique New Orleans tradition next year! You can view them all at my Fine Art gallery site online : nolaPIC.com
Prints of Uncle Lionel Batiste & Oswald Jones – Treme Brass Band members
During the pre Super Bowl pep rally Second Line held in New Orleans on Saturday February 6, 2010 I had the chance to take a few great pictures of “Uncle” Lionel Batiste while he was at the French Market with the Treme Brass Band. New Orleans is full of characters, but Uncle Lionel definitely stands out! Somebody…I forgot who, said about him, “we gonna miss him, when WE die!”
Look out for the new HBO series Treme which will premiere on April 11 2010 and will feature among man local New Orleans musicians, the Treme Brass Band!
“Uncle” Lionel Batiste is a jazz and blues musician and singer from New Orleans, Louisiana. Born on February 1st, 1931, he began in music career at the age of 11 playing bass drum with the Square Deal Social & Pleasure Club. He is currently the bass drummer, vocalist and assistant leader of the Treme Brass Band; he is known for his kazoo playing as well. He also sings, and has recorded a cd as a vocalist. Besides inspiring younger musicians with his playing, he serves as a role model to many of them: trumpeter Kermit Ruffins calls Batiste his “total influence,” saying that Batiste “taught [him] how to act, how to dress, how to feel about life.” Internationally, Batiste has served as leader of the daily Moldejazz parade since 2000. He is arguably New Orleans most loved uncle!
More New Orleans Fine Art Photography on nolaPIC.com
More New Orleans Fine Art Photography on nolaPIC.com
More New Orleans Fine Art Photography on nolaPIC.com
More New Orleans Fine Art Photography on nolaPIC.com
Pictures of HBO Treme Second Line
To view all the shots and/or purchase high quality prints of the Second Line: www.nolaPIC.com
To view all the shots and/or purchase high quality prints, please visit www.nolaPIC.com
On January 30, 2010 I attended a killer Second Line in Treme, New Orleans. Although it was very cold (for Louisiana standards that is) I had the opportunity to take some killer and unique shots while HBO was filming for their new tv series: Treme. To view all the shots and/or purchase high quality prints, please visit my other site www.nolaPIC.com. and If you are not familiar with HBO ‘s Treme please read below.
If you lived in New Orleans, you would have known by now, that soon another motion pictures will be added to the long list of the many others that have already been shot in the Big Easy. Treme, is the name of the new HBO series, co-created by “The Wire” David Simon, (among its writers is also New Orlenian Tom Piazza) takes place three months after Hurricane Katrina, where the residents of New Orleans, including musicians, chefs, Mardi Gras Indians and ordinary New Orleanians try to rebuild their lives, their homes and their unique culture in the aftermath of the 2005 hurricane. The series is scheduled to premiere April 11th 2010 on HBO. The video below lives me salivating for more, it says so much without saying much at all…oh and the music…Does Wynton Marsalis ring a bell?!
The following images below were taken on the set of HBO’s Treme first season, and while I wasn’t actually working for HBO or the Discovery Channel (next gallery below Treme’s) I’m displaying them here to show that if I can get the job done without even being a crew member when it’s even harder to be out of the way and yet, manage to cature the action … I can get the job done period :).
How to make your own custom made bokeh filter
From Wikipedia: In photography, bokeh is the blur,or the aesthetic quality of the blur, in out-of-focus areas of an image, or “the way the lens renders out-of-focus points of light”. Differences in and shape cause some lens designs to blur the image in a way that is pleasing to the eye, while others produce blurring that is unpleasant or distracting— “good” or “bad” bokeh, respectively. Bokeh occurs for parts of the scene that lie outside the depth of field. Photographers sometimes deliberately use a shallow focus technique to create images with prominent out-of-focus.
What lenses are best for a good bokeh? A large aperture lens with a fast or very fast aperture (smaller numbers=larger maximum aperture) would be necessary so a lens with a maximum aperture of 1.8 or 1.4 will be very good, I use most of times a Canon EF 85mm f1.2L II USM, which is indeed super fast and bright but again 1.4 or 1.8 is good already and it won’t break your bank account!
Bokeh, bokeh shapes and boke filters:
Recently, photographers have found how to exploit the shape of the bokeh by creating a simple mask out of card with the shape that the photographer wishes the bokeh to be, and placing it over the lens. Common shapes are stars and hearts, but it is possible to create it with almost any shape imagined.
After owning that fast lens ( and a camera..DUH!) you will need the following:
- Spare Camera lens cap to fit the size of the lens you will be using to do bokeh shots with
- Squeeze paper Punch (pictured here is a 3/4″ x 3/4″ square puncher)
- One thin sheet of black carboard
- Knife
- Candle
- Tape or glue
- Black Marker (if using a light color cardboard)
Light up a candle and after your knife is super HOT cut the rectangular shape in your lens cape roughfly in the middle of the cap. Don’t worry if it’s not super straight or super smooth, since the cardboard mask that you have previously made with the puncher is what is gonna give you the clean bokeh edges that you want. Do not try to cut the bokeh shape/mask with scissors or an exacto knife, otherwise your bokeh will look fuzzy and imperfect (not what we want). All you need to worry is that the cut in the cap will be fairly large and larger than your actual carboard mask with the bokeh shape. The puncher shown here has a hole of 3/4″ x 3/4″. Since its hole is square and I wanted a rectangular bokeh, I folded my carborad in half , so my cutout shape will be rectangular.
Do keep in mind that the smaller the bokeh mask hole you ‘ll make, the less the light it’s going to get to your lens, forcing you to either:
- Shoot with a higher ISO and therefore getting a grainier (more noise) picture
- Use a tripod or even worse get a blurry shot instead
After you cut the lens cap sand it off and make smooth on the inside (the side facing the lens) so you can glue your bokeh mask in there, you really only have to worry about placing the bokeh perfectly leveled, since you are gonna be able to rotate the lens cap and make it horizontal as you please, once your bokeh “filter” is on the camera.
Last but not least, do not forget that to get the most evident bokeh you’ll always need to keep these 3 very simple rules in mind and try to apply all of them when shooting for bokeh, and you will become a bokeh king like myself! 🙂
- Use the brightest lens you have and use it wide open (with the smallest numer, set to that number) 2.0, or 1.8, or even 1.4
- Stay as close as possible to the subject, as close as your lens allows you to focus that is!
- Try to keep your subject as far as possible from the highlights in the background that will become your bokeh, move the subject, when possible, further for the background, or position yourself somewhere else so the background will be further from your subject.
Purchasing pictures of New Orleans French Quarter
I just added on my gallery site www.nolaPIC.com quite a few images I have taken in the French Quarter (Jackson Square, St. Louis Cathedral, Bourbon Street and along Canal Street in New Orleans last week. It was rainy and…Beautiful! All fine art prints are also available framed and with non glare glass with or without a mat. The prints of the Streetcars are available in regular formats from 10″ x 15″ to 24″ x 36″ size or in square format of 10″ x 10″ or 20″ x 20″. To see more New Orleans photography and purchase high quality prints please visit www.nolaPIC.com
I have been waiting for these type of moody and gloomy light for quite a while and if you live here, you are well aware that it does not happen that often. I walked in the French Quarter for a long time, I was sore and soaked but as you will see from the photos it was well worth it. Let’s pray for some snow on the South Shore now.
To see more New Orleans photography and purchase high quality prints please visit www.nolaPIC.com
To see more New Orleans photography and purchase high quality prints please visit www.nolaPIC.com
To see more New Orleans photography and purchase high quality prints please visit www.nolaPIC.com
To see more New Orleans photography and purchase high quality prints please visit www.nolaPIC.com
Please visit my site www.nolaPIC.com to purchase these high quality fine art prints at a very affordable price. Many more are available on the site, and don’t forget that you can deliver the prints to anyone.
To see more New Orleans photography and purchase high quality prints please visit www.nolaPIC.com
To see more New Orleans photography and purchase high quality prints please visit www.nolaPIC.com
Pictures of Holt Cemetery in New Orleans
I just added three new pictures of the Holt cemetery in New Orleans to the Gallery named “New Orleans Cemeteries” on my e-commerce site www.nolaPIC.com! To see more New Orleans photography and purchase high quality prints please visit www.nolaPIC.com
The same gallery contains other images taken at Lake Lawn cemetery and Cypress Grove cemetery in New Orleans. High quality edition prints can be ordered online, framed, matted and with non-glare glass at very affordable prices. Many other different Louisiana subjects are available online as well, including Fine Art pictures of the French Quarter, City Park and Second Lines in New Orleans.
Now…About Holt Cemetery: It’s basically a potter’s field– the final resting place for some of New Orleans poor and indigent peoples for over a century. Because it’s a cemetery for the poor, people are buried in the ground rather than housed in the mausoleums you see throughout the city’s scenic cemeteries. More prosperous dead people rot in fancy tombs, but most of the graves here are personally decorated with bed frames, brightly-painted piles of earthly possessions, wooden headstones, and planter boxes, among other touching displays.
Click here to see the whole gallery on my other site: http://www.nolapic.com/cemeteries
Framed New Orleans Fine Art Photography
To see more New Orleans photography and purchase prints please visit www.nolaPIC.com
To see more New Orleans photography and purchase prints please visit www.nolaPIC.com
To see more New Orleans photography and purchase prints please visit www.nolaPIC.com
While you will see some photography samples on this blog, to purchase online high quality open edition prints by Alfonso “Pompo” Bresciani, please visit my e-commerce and secure site: www.nolaPIC.com where all the high quality prints are displayed and updated often as they become available. All of the open edition prints can now be ordered online, framed, matted and with non-glare glass!
These above and below are just a few samples of the many ordering options available online at www.nolaPIC.com
To see more New Orleans photography and purchase high quality prints please visit www.nolaPIC.com
To see more New Orleans photography and purchase high quality prints please visit www.nolaPIC.com
To see more New Orleans photography and purchase high quality prints please visit www.nolaPIC.com
To see more New Orleans photography and purchase high quality prints please visit www.nolaPIC.com
Basically after the delivery truck pulls up by you house all you have to do is hang the framed pictures up!
Canon EOS 7D update & new Fine Art Print
I just added this image on my other site nolaPIC.com I took at Lafreniere Park in Metarie, LA at sunset (once I uploaded the shot on Flickr my photostream was on fire with comments!). I love the soft tones, narrow dof and the bokeh of the Canon EF 85mm f1.2L II USM ! The fine art photo is available as a 10″x 10″ or 20″x 20″. To purchase this or other high quality open edition prints please visit: www.nolaPIC.com.
Photo taken with (my favorite lens!) Canon EF 85mm f1.2L II USM 
Canon EOS 7D Available!
October 24, 2009: Finally Amazon is delivering the new Canon EOS 7D! The body only is now available as well as the Canon EOS 7D Kit with the 28-135mm f/3.5-5.6 IS USM Standard Zoom Lens
Get yours while you can and enjoy its killer new features, I could use a better autofocus myself and the 8 fps speed!
Canon EOS 1D Mark IV
Pre-Order Canon EOS 1D Mark IV
LAKE SUCCESS, N.Y., October 20, 2009 – Canon U.S.A., Inc., a leader in digital imaging, is proud to introduce the next evolution in the EOS 1D series of cameras: the Canon EOS-1D Mark IV Digital SLR camera. The EOS-1D Mark IV is a high-speed multimedia performance monster with a 16-megapixel Canon CMOS sensor, Dual DIGIC 4 Imaging Processors, and 14-bit A/D data conversion, all at 10 frames-per-second (fps), with the widest ISO range Canon has produced to date. This new camera also features 1080p Full High-Definition video capture at selectable frame rates packaged in Canon’s most rugged and durable professional camera body.
The crowning achievement of Canon’s 1D Mark IV Digital SLR is its new autofocus system that starts with 45 AF points including 39 high-precision cross-type focusing points capable of tracking fast moving athletes or wildlife accurately at speeds up to 10 frames per second. With greater subject detection capability than ever before plus a newly redesigned AI Servo II AF predictive focusing algorithm, the Canon EOS-1D Mark IV camera sets new standards for autofocus performance among professional digital SLRs.
Whether shooting for the six o’clock news or the front page, the EOS-1D Mark IV Digital SLR is the quintessential camera to freeze fast-moving action with high-speed stills or capture stunning HD video with dynamic color and image quality. To accompany the new EOS-1D Mark IV Digital SLR camera, Canon is also announcing a new accessory, the WFT-E2 II A wireless file transmitter providing photographers with a wide range of professional digital connectivity options.
“Canon works hard to be the imaging leader in all our business endeavors. This goal has fueled our innovation and R&D efforts to engineer the most advanced autofocus system Canon has ever produced. We are proud to announce the camera that will deliver the ultimate in imaging quality to professionals working in all areas of multimedia imaging, whether it’s action photography, photojournalism or HD video and cinematography,” stated Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A.
The Canon EOS-1D Mark IV camera will intrigue professional photographers in virtually every category from photojournalism and sports through nature, wedding, portrait and fashion to commercial, industrial and law enforcement. What makes the EOS-1D Mark IV camera different from its predecessors, in addition to numerous focusing system and image quality improvements, is its exceptional Full HD video capture capability. With this new level of functionality, the 1D Mark IV Digital SLR is destined to appeal not only to professional still photographers but also to a diverse market of professional videographers and filmmakers who are looking for exceptional Full HD video quality, amazing low-light performance, outstanding portability and a level of durability unheard of in most HD video cameras in this price range.
New 45-Point Autofocus System
The new EOS-1D Mark IV Digital SLR camera features Canon’s most advanced Autofocus system to date. It is equipped with a newly developed 45-point AF sensor featuring 39 high-precision cross-type AF points, and an all new AI Servo II AF mode that gives still photographers the power and performance to track and focus a fast-moving subject at speeds up to 10 frames per second. With more than twice as many cross-type focusing points as the EOS-1D Mark III and a new AF sensor construction that improves performance in low light and with low contrast subjects, the EOS-1D Mark IV has greater subject detection capabilities than any previous EOS model.
To complete the range of AF improvements, Canon has developed a new AI Servo II AF predictive focusing algorithm that significantly improves responsiveness and stability by making better decisions on focus tracking in a variety of shooting conditions.
Amazing High ISO Performance
Wedding and event photographers shooting in low light without the benefit of a flash can take advantage of Canon’s widest ISO range and highest performance ever. The EOS-1D Mark IV camera’s ISO speed settings range from 100 up to 12,800 in 1/3 or 1/2 stop increments with ISO Expansion settings of L: 50 for bright light or H1: 25,600, H2: 51,200, and H3: 102,400 for even the most dimly lit situations. Photographers and documentary filmmakers working in available light will be impressed by the low-noise image quality of the 1D Mark IV, capturing amazing still images and video footage even at speed settings as high as ISO 12,800. High ISO, low light still images are further enhanced by Canon’s adjustable High ISO Noise Reduction feature, now a default setting in the camera.
The EOS-1D Mark IV, EOS HD Video Powerhouse
Over the past year, Canon’s EOS HD Video technology has changed the way users capture 1080p HD video and opened new doors for multimedia journalists and Hollywood cinematographers alike with full manual exposure control, selectable frame rates, and interchangeable lenses on some of the largest and most sensitive image sensors on the market. Canon continues this innovation trend with the new EOS-1D Mark IV Digital SLR with Full HD capture and full manual exposure control, plus selectable frame rates on an all-new
APS-H-sized image sensor that’s similar in size to a Super 35mm motion picture film frame. The large sensor allows filmmakers to achieve shallow depth-of-field just as cinematographers have traditionally done using much higher-cost motion picture equipment.
The more than 50 Canon EF lenses compatible with the EOS-1D Mark IV give videographers incredible creative options, including an impressive selection of large-aperture professional L-series primes as well as zoom lenses, macro, Tilt-Shift and Fisheye optics. The Canon EOS-1D Mark IV allows for three video recording resolutions – 1080p Full HD and 720p HD in a 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio. The camera will record Full HD at 1920 x 1080 in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); and 720p HD or SD video recording at either 50p or 60p (59.94). SD video can be recorded in either NTSC or PAL standards. Sound is recorded either through the internal monaural microphone or via optional external microphones connected to the stereo microphone input. The camera also provides an in-camera video editing function allowing users to remove the start or ending of a video clip directly in the camera to eliminate unwanted footage and speed up post-production.
Image Quality and Performance
The heart of the EOS-1D Mark IV camera’s outstanding image quality is a newly developed 16.1-Megapixel CMOS sensor featuring Canon’s latest and most advanced proprietary technologies. These technologies include improved photodiode construction to enhance dynamic range and gapless microlenses that are positioned closer to the photodiodes for improved light gathering efficiency. The transmissive quality of the color filter array has been enhanced to improve sensitivity. Canon has also upgraded the sensor circuitry to improve noise reduction before the image data is exported from the CMOS sensor to the rest of the image processing chain.
With 60 percent more pixels than the EOS-1D Mark III, the EOS-1D Mark IV Digital SLR employs Dual DIGIC 4 Image Processors with approximately six times the processing power of DIGIC III for full 14-bit A/D conversion at 10 fps. High-speed continuous shooting up to 121 Large JPEGs is possible using a UDMA CF card. This camera also features three RAW shooting modes for versatility with Full RAW (approx. 16 million pixels), M-RAW (approx. nine million pixels), and S-RAW (approx. four million pixels). Three additional JPEG recording formats (M1, M2 and Small) are also available.
The 14-bit per channel conversion facilitated by the dual DIGIC 4 Processors provides smoother tonalities in final images capturing all 16,384 distinct tones in each channel (red, green and blue) at the full 10 fps frame rate. RAW images shot on the new Canon EOS-1D Mark IV use the entire 14-bit space when converted to 16-bit TIFF files in Canon Digital Photo Professional (DPP) software, which is supplied with the camera at no extra charge. The 14-bit A/D conversion is also the foundation for Canon’s Highlight Tone Priority feature that takes maximum advantage of the camera’s extensive dynamic range to preserve detail in highlight areas of the image. Canon’s new EOS-1D Mark IV Digital SLR also features an improved white balance algorithm making colors more accurate when shooting under low color temperature light sources such as household tungsten lamps.
The EOS-1D Mark IV Digital SLR features Canon’s Peripheral Illumination Correction function which corrects darkening that can occur in the corners of images with most lenses when used at their largest apertures. When activated, it is automatically applied to JPEG images and video clips as they are shot. For RAW images, it can be applied in DPP software.
Other new features include a large three-inch solid structure Clear View II LCD screen with 920,000 dot/VGA resolution and a wide 160-degree viewing angle for enhanced clarity and more precise color when reviewing images and shooting video. The new in-camera copyright information feature helps professionals secure control over images by setting copyright data directly into the camera and appending that information to each image file in the Exif metadata. Additional features include a fluorine coating on the Low Pass Filter to further repel dust and enhance the EOS Integrated Cleaning System.
Minimize Post-Production with Enhanced Canon Auto Lighting Optimizer
Action photography truly is all about speed, capturing a fast subject with fast focusing and fast frame rates. However, all this speed might be wasted if it is slowed down by lengthy post-production procedures to adjust image quality. The EOS-1D Mark IV Digital SLR helps reduce post-production work with a powerful new Auto Lighting Optimizer (ALO) system. When enabled, Canon’s ALO automatically adjusts the image for optimal brightness and contrast on the fly during in-camera image processing, reducing clipped highlights while keeping shadowed areas as clear and detailed as they actually appear. By optimizing brightness and contrast in-camera, Canon’s ALO system significantly reduces the need for post-production image optimization, and gives photographers image quality they can take directly to press. Demanding professional photographers who tested ALO clearly stated that this one feature will reduce their post-production image optimization process by more than 75 percent. Canon’s ALO works with both RAW[i] and JPEG images as well as video recording.
Rugged Reliability
Canon has taken every measure to ensure that the EOS-1D Mark IV Digital SLR camera has the highest degree of weather resistance in the EOS line. The 1D Mark IV camera incorporates a wide range of design features that enhance its durability and reliability for professional assignments. For example, the 1D Mark IV’s body, chassis and lens mount are completely weather-resistant and 76 gaskets and seals surround all buttons and seams. The body covers and internal chassis, including the mirror box, are constructed with magnesium-alloy, one of the strongest and rigid metals available for its weight. For added strength, the lens mount is constructed with stainless steel. In fact, when used with Canon’s Speedlite 580EX II and/or most current L-series lenses, the entire camera system remains fully weather resistant, so professionals can concentrate on getting the shot instead of worrying about protecting their gear.
New Wireless Connectivity
Canon is announcing the availability of the new WFT-E2 II A* wireless file transmitter exclusively for the EOS-1D Mark IV Digital SLR camera. The WFT-E2 II A wireless transmitter is an extremely small and versatile device that offers professional photographers a wide range of digital connectivity options including IEEE802.11a/b/g and Ethernet, ideal for commercial and studio work. In addition to adding the ability to connect to wireless networks over 802.11a, the new WFT-E2 II A adds a wealth of new professional features to the photographer’s tool kit. The new Camera Linking feature allows a single photographer to simultaneously fire up to 10 cameras remotely; and the updated WFT Server mode lets you remotely use Live View, control settings, and fire the EOS-1D Mark IV over the internet from anywhere in the world using a standard Web browser or many Web-enabled smart phones. Additionally, geotagging is now possible via Bluetooth, using compatible GPS devices to append coordinate data to the images.
Pricing and Availability
The Canon EOS-1D Mark IV Digital SLR camera is scheduled to be delivered to U.S. dealers in late December, and will be sold in a body-only configuration at an estimated retail price of $4,999.00[ii]. Final pricing and availability for the Canon WFT-E2 II A wireless file transmitter will be available later this year.
Canon Announces EOS 7D
AVAILABILITY UPDATE! October 22, 2009
Canon EOS 7D in stock and shipping! CLICK HERE TO ORDER the Canon EOS 7D on Amazon
AVAILABILITY UPDATE!
Lisette Ranga, a camera marketing representative at Canon USA, indicates that units of the new Canon EOS 7D
CANON U.S.A. REDEFINES MID RANGE DSLR CATEGORY WITH THE NEW EOS 7D DIGITAL SLR CAMERA
Order the new Canon EOS 7D on Amazon.com
LAKE SUCCESS, N.Y., September 1, 2009
– Canon U.S.A., Inc., a leader in digital imaging, today introduced a revolutionary camera that redefines the highly competitive mid-range DSLR product category: the Canon EOS 7D Digital SLR camera. Professional photographers and advanced amateurs have been demanding higher performance and more diverse functions in their cameras, and Canon has answered – with the new EOS 7D. Far more than a slight improvement from a previous model, the EOS 7D DSLR is a brand new product that stands on its own with new features never before seen in any Canon camera. Whether it’s shooting at eight frames per second (fps), focusing with the new Zone AF mode or recording 24p Full HD video, the EOS 7D DSLR camera satisfies the most rigorous professional requirements with durability, flexibility, high-resolution images and customizable controls. With its unprecedented out-of-the-box performance and high-end feature set, the EOS 7D is poised as the ultimate step-up camera for serious photographers or a second camera for professionals in the field.
The Canon EOS 7D boasts significant EOS advancements including a completely new 19-point Autofocus system, a new Canon iFCL Metering System (Intelligent Focus, Color, Luminance) and a new Intelligent Viewfinder. An 18-megapixel Canon CMOS sensor and Dual DIGIC 4 Imaging Processors fuel the EOS 7D’s 14-bit A/D data conversion and its ability to freeze fast motion in high-resolution with eight fps continuous shooting up to 126 Large JPEGS using a UDMA CF card, positioning this camera for the studio as well as the sideline. The EOS 7D captures beautiful low-light images with or without a flash, at occasions such as a dance recital or wedding reception, thanks to a wide range of ISO speed settings from 100-6400 (expandable to 12,800). In addition to its new still capture capabilities, the EOS 7D features Full HD video capture at 1920 x 1080 resolution with selectable frame rates of 24p, 25p or 30p. Native 24p recording helps videographers achieve a more cinema-style look for their footage without the need for post-processing.
“The Canon EOS 7D represents a completely new chapter in digital photography and Canon product development. This camera stands alone as the most functional and innovative DSLR Canon has released to-date, bringing together all of the best professional features offered, along with numerous user requests at a price-point everyone can appreciate,” stated Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A.
The Evolution of Vision, the EOS 7D’s New Autofocus System
The Canon EOS 7D boasts the most advanced AF system ever seen in an EOS SLR. The completely re-designed system includes a new multi-axis cross-type 19-point AF grid, where the focusing points are evenly spread out across the image plane and clearly displayed through Canon’s new Intelligent Viewfinder. All 19 points are f/5.6-sensitive for both horizontal and vertical cross-type focusing, while the center AF point adds high-precision diagonal cross-type sensitivity for f/2.8 and larger aperture lenses. The Canon EOS 7D Digital SLR camera is the first EOS SLR to feature 19 cross-type focusing points that remain fully functional with maximum apertures as small as f/5.6, which brings the performance of the AF system to unprecedented levels for assignments as varied as fast-moving sports action or low-light wedding ceremonies.
The Canon EOS 7D’s AF system allows numerous AF area selection modes never seen before in an EOS SLR camera. New modes include:
- Spot AF mode reduces the size of a single AF point to focus on small subjects like an animal in a cage.
- AF Point Expansion mode uses a cluster of AF points adjacent to the selected AF point to automatically assist focusing on moving subjects, such as an athlete on the run.
- Zone AF divides the 19 AF points into five selectable focusing zones and makes it easier to achieve focus with subjects that are difficult to track with Single Point AF or AF point expansion, such as birds in flight.
Additional AF improvements include a revised Automatic AF point selection sequence that allows a user to pick any one of the 19 AF points as a starting point for tracking moving subjects in AI Servo mode. (Previous EOS models required the subject to first be acquired by the center focusing point.) If the subject moves away, the camera will continue to track the movement with the remaining points and display the active focusing point in the viewfinder. Also, a time-saving feature is AF Point Switching, which allows photographers to select and register one AF point for horizontal compositions and a second AF point for vertical shooting, ideal for studio and portrait photographers.
To complement the new AF system, the exposure metering system for the Canon EOS 7D has been completely re-designed to take color information into account, another first for an EOS system. Canon’s iFCL metering includes a 63-zone dual-layer metering sensor that reads both illumination and color for consistent results in all lighting conditions, keeping exposure levels stable from shot to shot, even as the light source changes.
Canon’s new Intelligent Viewfinder uses a liquid crystal overlay to provide clear and precise displays of focusing points and zones, on-demand grid lines and a spot metering circle. The LCD overlay can also be illuminated in extreme low-light situations or turned off completely. The EOS 7D camera’s viewfinder includes a large all-glass pentaprism with an antireflective coating to maximize clarity and provide a brighter display. The EOS 7D’s Intelligent Viewfinder features 1.0x magnification with 100 percent coverage for accurate composition and checking of detail.
EOS HD Movie: Empowering the World of Videography
Canon has blazed new trails in HD video capture with the 5D Mark II. Now, the EOS 7D takes DSLR video to new heights with Full HD capture featuring fully manual exposure control, and selectable cinematic frame rates for both NTSC (National Television System Committee) and PAL (Phase Altering Line) standards. Compatible with more than 60 Canon EF and EF-S lenses, the EOS 7D lets videographers take full advantage of the camera’s large CMOS sensor to achieve the dramatic frame composition they desire. At the heart of the EOS 7D are two key proprietary Canon technologies, Dual DIGIC 4 Imaging Processors and a large APS-C–sized CMOS sensor, helping to render stunning color reproduction, amazing depth of field and fine detail, even in low-light conditions. The Canon EOS 7D allows for three video recording modes – Full HD and HD in a 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio, all at selectable frame rates. The EOS 7D Digital SLR camera will record Full HD at 1920 x 1080 pixels in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); 720p HD recording at 50p or 60p (59.94) and SD video at frame rates of 50p or 60p (59.94). The EOS 7D features a new dedicated button to initiate live view for both video and still shooting. Once engaged, the same dedicated button will start and stop video recording. Like the EOS 5D Mark II, the Canon EOS 7D Digital SLR camera provides users with the capability to use an external stereo microphone for professional audio effects or a built-in monaural microphone for convenience.
The Features You Asked For
A helpful new tool for architectural and landscape photography where angles and perspective are critical is Canon’s new built-in Dual Axis Electronic Level ( I could myself use this feature on any camera…please Canon!), featuring an artificial horizon over the image on the rear LCD screen in Live View or in the viewfinder using illuminated AF points for easy leveling while shooting. The dual axis electronic level shows both horizontal roll and vertical pitch, making it easy to identify when the camera is in a fixed level shooting position and ready to take the shot.
The EOS 7D’s pop-up flash features a built-in Integrated Speedlite Transmitter for control of multiple off-camera EOS Speedlites without the need for an external transmitter. This built-in wireless option is a compact and economical solution for studio and wedding photography with multiple flash set-ups.
A new Intelligent Macro Tracking function helps reduce blur during macro shooting by recognizing when a macro lens is attached and automatically adjusting the AI Servo sampling frequency. This AI Servo adjustment accounts for camera movement forward and back, a typical occurrence when moving in close for a macro shot as photographers rock back and forth, or a flower blows in the wind.
Once in your hands, you can immediately feel the ergonomic improvements of the Canon EOS 7D camera, starting with a new super-fluid body design with continuous curves outlining the top of the camera and a revised grip that fits better in a user’s hand. The camera has a new Quick Control Button, which opens an easy-to-navigate menu on the camera’s LCD screen. From this menu, users can adjust all camera settings including AF modes as well as set custom button functions, an insightful new feature that can easily customize each button’s function to the photographer’s preference. Another new feature is the RAW/JPEG toggle button providing quick dual-format shooting, allowing photographers to quickly add large JPEG or RAW file formats to their already selected shooting mode at the touch of a button.
The Canon EOS 7D camera also features a new large, clear 3.0-inch solid structure Clear View II LCD screen with 920,000 dot/VGA resolution for enhanced clarity and color when viewing images. The camera’s nine internal seals enhance weather resistance, and its 150,000-cycle shutter durability positions the EOS 7D as a “workhorse” for professionals in any photography discipline.
New Wireless Connectivity
Canon is announcing the availability of the new WFT-E5A wireless file transmitter (WFT) exclusively for the EOS 7D Digital SLR camera. The WFT-E5A wireless transmitter offers professional photographers a wide range of digital connectivity options including IEEE802.11a/b/g and Ethernet, ideal for commercial and studio work. The WFT-E5A wireless file transmitter opens the door to new possibilities in remote and Geotagged shooting applications. Photographers can fire up to 10 cameras simultaneously from across the room or across the country while maintaining control over camera settings and remote live view on a laptop or smart phone.[i] The WFT-E5A wireless transmitter can also transfer and display images on DLNA (Digital Living Network Alliance) compatible televisions and photo frames. Geotagging is now possible via Bluetooth, using compatible GPS devices to append coordinate data to the images.
Pricing and Availability
The Canon EOS 7D Digital SLR camera is scheduled to be delivered to U.S. dealers at the end of September, and will be sold in a body-only configuration at an estimated retail price of $1,699.00[ii]. It will also be offered in a kit version with Canon’s EF 28-135mm f/3.5-5.6 IS USM zoom lens at an estimated retail price of $1,899.00[iii]. The Canon WFT-E5A wireless file transmitter is scheduled to be available in early November and sell at an estimated retail price of $699.99[iv].
New 19-point, all cross-type AF system equipped with dual diagonal cross-type sensors
Canon packed its most advanced technologies into the EOS 7D’s AF system. With 19 high precision, cross-type AF sensors, any of which can be selected automatically or manually, the EOS 7D is equipped to handle even the trickiest of focus situations with ease. The high-speed microcomputers in the EOS 7D use advanced algorithms that help ensure the fastest, most accurate AF performance under the widest variety of conditions. In addition, Canon’s Light Source detection AF automatically compensates the focus by taking into account artificial lighting sources and making appropriate adjustments and the EOS 7D’s new Intelligent Macro focusing tracks the object or the cameras movement when shooting close-up, to ensure focus is never lost. AF modes can be customized to suit the situation, ensuring reliable focus, every time.
Order the new Canon EOS 7D on Amazon.com
Photofocus/Scott Bourn si doing a contest where you can actually win a Canon 7d!
Check it out here: http://scottbourne.com/post/194276786/win-a-canon-7d