AF-S NIKKOR 85mm f/1.4G & other new Nikkor lenses announced!
Nikon has just released a fast aperture medium telephoto lens in the shape of the AF-S Nikkor 85mm f/1.4G. Featuring a completely new optical design and a built-in Silent Wave focus motor, it also includes Nikon’s top-end goodies including a 9-bladed diaphragm, Nano Crystal coating for the reduction of flare, a magnesium alloy body shell and weathersealing.
Availability will be from 2nd September 2010 but
You can Pre-Order on Amazon right now!
August 19, 2010
Three Nikon FX-format compatible lenses offering the superior image quality and performance of the NIKKOR brand
TOKYO – Nikon Corporation is pleased to announce the release of three new lenses compatible with Nikon FX-format digital-SLR cameras. The AF-S NIKKOR 85mm f/1.4G is a fast, mid-telephoto prime (fixed focal length) lens that combines a large maximum aperture of f/1.4 with beautiful blur characteristics and superior rendering. The AF-S NIKKOR 24-120mm f/4G ED VR is a 5X standard zoom lens with a fixed maximum aperture of f/4 throughout its entire zoom range. Nano Crystal Coat has been deposited on some lens elements for fine, clear images, and the lens is equipped with Nikon’s latest vibration reduction mechanism, VR II. The NIKKOR 28-300mm f/3.5-5.6G ED VR is a 10.7X super-telephoto lens that covers a broad range of focal lengths from the wide-angle 28mm to telephoto 300mm. This lens is also equipped with the VR II vibration reduction mechanism.
Nikon has long had the support of professional and advanced amateur photographers for its consistent development of innovative products that respond to the demands of users and are equipped with the optical technologies Nikon has spent years cultivating as a manufacturer of optical devices. Nikon will continue to offer exceptional products, including FX-format compatible lenses that strengthen and enrich the NIKKOR lens lineup with superior functions and performance that satisfy the needs of professional and advanced amateur photographers.
AF-S NIKKOR 85mm f/1.4G
• A fast, high-performance mid-telephoto 85mm fixed focal length lens with a maximum aperture of f/1.4 that offers superior image quality Adoption of a maximum aperture of f/1.4 and rounded diaphragm (9 blades) enables the expression of bright and beautiful blur characteristics. The lens exhibits excellent rendering capability with shooting all distances, from close-up to infinity, making it especially suited to portrait photography. It is also an excellent choice for shooting in relatively dark situations, such as indoors or for capturing night landscapes.
• A new optical design that makes the most of the performance expected of the latest fast fixed focal length NIKKOR lens
• Nano Crystal Coat adopted to significantly reduce ghost and flare
• Equipped with a Silent Wave Motor (SWM) for extremely quiet autofocusing
• Equipped with two focus modes, M/A and M, as well as a new and improved manual focus drive mechanism The lens offers two focus modes, M/A (autofocus with manual override) and M (manual). In addition, the new and improved manual focus drive mechanism reduces manual focus time lag for improved manual focus operation in M/A mode.
• Nikon’s internal focusing (IF) system has been adopted with no increase in the length of the lens
AF-S NIKKOR 24-120mm f/4G ED VR Pre-Order on Amazon right now!
• A 5X standard zoom lens with a fixed maximum aperture of f/4 through the full 24mm to 120mm range of focal lengths A 5X standard zoom lens that offers superior function and performance. This zoom lens has a high reproduction ratio that is both practical and functional for professional and advanced amateur photographers. It consistently demonstrates excellent rendering performance.
• Built-in vibration reduction (VR II) offering camera shake compensation equivalent to a shutter speed increase of approximately four steps Equipped with two VR modes, Normal and Active, the vibration reduction function responds to a variety of shooting scenes.
• Nano Crystal Coat adopted to significantly reduce ghost and flare
• Nikon’s internal focusing (IF) system has been adopted with no increase in the length of the lens
• Equipped with two ED and three aspherical lens elements for superior optical performance
• Equipped with two focus modes, M/A (autofocus with manual override) and M (manual)
• Equipped with a Silent Wave Motor (SWM) for extremely quiet autofocusing
AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR Pre-Order on Amazon right now!
• A 10.7X, high-performance and high-power zoom lens covering focal lengths from 28mm to 300mm This single 10.7X lens covers a broad range of angles of view, making it extremely practical for shooting at a variety of focal lengths, from wide-angle landscape shots to telephoto shooting.
• A size and weight that makes it very portable
• Built-in vibration reduction (VR II) offering camera shake compensation equivalent to a shutter speed increase of approximately four steps Equipped with two VR modes, Normal and Active, the vibration reduction function responds to a variety of shooting scenes.
• The f/5.6 maximum aperture at the maximum telephoto position enables capture of bright images
• Equipped with two ED and three aspherical lens elements for superior optical performance
• Nikon’s internal focusing (IF) system has been adopted with no increase in the length of the lens
• Equipped with a Silent Wave Motor (SWM) for extremely quiet autofocusing
• Equipped with two focus modes, M/A (autofocus with manual override) and M (manual)
• A zoom lock has been adopted to prevent the lens from extending due to its own weight
How to make your own custom made bokeh filter
From Wikipedia: In photography, bokeh is the blur, or the aesthetic quality of the blur, in out-of-focus areas of an image, or “the way the lens renders out-of-focus points of light”. Differences in and shape cause some lens designs to blur the image in a way that is pleasing to the eye, while others produce blurring that is unpleasant or distracting— “good” or “bad” bokeh, respectively. Bokeh occurs for parts of the scene that lie outside the depth of field. Photographers sometimes deliberately use a shallow focus technique to create images with prominent out-of-focus.
What lenses are best for a good bokeh? A large aperture lens with a fast or very fast aperture (smaller numbers=larger maximum aperture) would be necessary so a lens with a maximum aperture of 1.8 or 1.4 will be very good, I use most of times a Canon EF 85mm f1.2L II USM, which is indeed super fast and bright but again 1.4 or 1.8 is good already and it won’t break your bank account!
Bokeh, bokeh shapes and boke filters:
Recently, photographers have found how to exploit the shape of the bokeh by creating a simple mask out of card with the shape that the photographer wishes the bokeh to be, and placing it over the lens. Common shapes are stars and hearts, but it is possible to create it with almost any shape imagined.
After owning that fast lens ( and a camera..DUH!) you will need the following:
- Spare Camera lens cap to fit the size of the lens you will be using to do bokeh shots with
- Squeeze paper Punch (pictured here is a 3/4″ x 3/4″ square puncher)
- One thin sheet of black carboard
- Knife
- Candle
- Tape or glue
- Black Marker (if using a light color cardboard)
Light up a candle and after your knife is super HOT cut the rectangular shape in your lens cape roughfly in the middle of the cap. Don’t worry if it’s not super straight or super smooth, since the cardboard mask that you have previously made with the puncher is what is gonna give you the clean bokeh edges that you want. Do not try to cut the bokeh shape/mask with scissors or an exacto knife, otherwise your bokeh will look fuzzy and imperfect (basically like crap!). All you need to worry is that the cut in the cap will be fairly large and larger than your actual carboard mask with the bokeh shape. The puncher shown here has a hole of 3/4″ x 3/4″
Do keep in mind that the smaller the bokeh mask hole you ‘ll make, the less the light it’s going to get to your lens, forcing you to either:
- Shoot with a higher ISO and therefore getting a grainier (more noise) picture
- Use a tripod or even worse get a blurry shot instead
After you cut the lens cap sand it off and make smooth on the inside (the side facing the lens) so you can glue your bokeh mask in there, you really only have to worry about placing the bokeh mask cenetered, since you are gonna be able to rotate the lens cap and make it horizontal as you please, once your bokeh filter is on the camera.
Last but not least, do not forget that to get the most evident bokeh you’ll always need to keep these 3 very simple rules in mind and try to apply all of them when shooting for bokeh, and you will become a bokeh king like myself! 
- Use the brightest lens you have and use it wide open (with the smallest numer, set to that number) 2.0, or 1.8, or even 1.4
- Stay as close as possible to the subject, as close as your lens allows you to focus that is!
- Try to keep your subject as far as possible from the highlights in the background that will become your bokeh, move the subject when you can the further for the background, or position yourself somewhere else so the background will be further from your object.
Please see some other bokeh shots of mine here at www.nolaPIC.com and click on the gallery named “Bokeh Addiction”.
2009 Photo Gifts Guide
Finding photography related gifts for Christmas is fairly easy, if you are a photographer that is! I compiled a list of affordable and useful gifts for your special someone so all you have to do is go through the photo goodies and make the 2009 Christmas ho-ho-holiday shopping experience painless!
Lensbaby The Composer for Canon EF mount Digital SLR Cameras
All Lensbaby selective focus SLR camera lenses provide photographers with a new way to control depth of field by bringing one area of a photo into sharpest focus with that Sweet Spot surrounded by graduated blur. By bending the Lensbaby lens, the photographer moves the sharp area around the photo for customized creative effects. Read all the reviews and great ratings Lensbaby gets from people who bought it (scroll on the bottom of page once there on the Amazon page). Make sure that you get a Nikon mount Lensbaby if you are buying it for a Nikon DSLR user! Price: $ 269.95 + free shipping
Canon TC80N3 Timer Remote Control
This Canon TC80N3 timer remote controller for EOS is equipped with quick-lock remote control socket (Shutter release function is provided). It connects to the camera via 80 cm (2.6 ft) cord and the mode button sets the mode and the convenient Jog dial that allows entering values with a single thumb sets the time or number of exposures. With this remote you can set a self-timer, intervalometer or interval timer, long-release or long exposure timer (for Bulb exposure). The Canon TC80N3 timer can be set for any time from 1 sec. to 99 hrs, 59 min, 59 sec. The LCD panel can also be illuminated for easy reading.
- Ideal for time-lapse photography including blooming flowers and astrophotography
- Remote switch with a 2.6-foot cord
- Self-timer, interval timer, long-exposure timer and exposure-count setting features
- Easily enter the numeric settings with a single thumb
- LCD panel can also be illuminated
If buying for a Nikon user you can purchase the Nikon MC-36 Multi-Function Remote Cord instead. Price $136.61
See this killer time lapse video here below done with a timer remote …Time lapse photography has been hot for quite a while and I don’t see that interest slowing down anytime soon! Do not buy cheaper off brands alternatives anywhere since they don’t last at all and they are a waste of money! Price: $ 135.98
Canon EF 1.4X II Extender ( Telephoto Extender )
Multiply the focal length of your 135mm or longer lens by 1.4x without sacrificing image quality with the Canon EF 1.4x II extender. Optically superb, the lens fits all Canon 135mm fixed focal length lenses (except the 135mm f/2.8 Softfocus lens), along with the EF 70-200mm f/2.8L, 70-200mm f/2.8L, 70-200mm f/4.0L, 70-200mm f/4.0L IS USM, and 100-400mm f/4.5-5.6L IS zoom lenses. In addition, the extender doesn’t sacrifice your autofocus on any EOS camera as long as it’s combined with a lens having an f/4 or faster maximum aperture (the extender reduces the effective aperture by one f-stop). Best of all, this version maintains the outstanding optics of the earlier incarnation, but adds a weather-resistant construction and improved anti-reflective surfaces in the barrel. The EF 1.4x II extender, which measures 2.9 inches in diameter and 1.1 inches long, weighs 7.8 ounces. I do have one, use it often and I strongly suggest to get this instead of the 2.0x extender. The 1.4X II quality is unreal and you only lose one stop of light! Price $299.99
If buying for a Nikon user you should this consider this instead:
Nikon TC-17E II (1.7x) Teleconverter AF-S for Nikon Digital SLR Cameras
Nikon TC-17E II is the first teleconverter to offer 1.7x performance. Designed exclusively for use with AF-S and AF-I lenses, the AF-S Teleconverter TC-17E II completes the Nikon lineup of 1.4x, 1.7x, and 2.0x compact teleconverters.With dimensions of just 66 x 31.5mm (2.6 x 1.2 in.) and a weight of only 250g (8.8oz.)(approx.), the Nikon AF-S Teleconverter TC-17E II allows focal length to be extended by a factor of 1.7 times while retaining a sense of overall comfort in the hand. Many such teleconverters can also have a detrimental effect on the speed of the lens, however the AF-S Teleconverter TC-17E II makes available f-stops only 1.5 stops slower.The AF-S Teleconverter TC-17E II also has the ability to communicate with the signals from most lenses. Furthermore, it supports the convenient Nikon Vibration Reduction (VR) function, has a design that is consistent with the current TC-14EII and TC-20EII, and Eco-Glass is also used.This product is designed for AF-I & AF-S Lenses only. Price $549.95
Here are some hourly updated lists of Amazon’s that you might find very useful for your HO-HO-HOLIDAY shopping and give you some extra ideas!
- Bestsellers Point & Shoot Digital Cameras
- Bestsellers Digital Cameras
- Most Gifted in Digital SLRs
- Bestsellers in Digital SLRs
- Canon Lenses
- Nikon Lenses
- Camera Bags
- Digital Frames
- 2 TB External Hard drives
- Compact Flash Memory Cards
Happy Ho-Ho-Holidays!!!
Canon EOS 7D update & new Fine Art Print
I just added this image on my other site nolaPIC.com I took at Lafreniere Park in Metarie, LA at sunset (once I uploaded the shot on Flickr my photostream was on fire with comments!). I love the soft tones, narrow dof and the bokeh of the Canon EF 85mm f1.2L II USM ! The fine art photo is available as a 10″x 10″ or 20″x 20″. To purchase this or other high quality open edition prints please visit: www.nolaPIC.com.
Photo taken with (my favorite lens!) Canon EF 85mm f1.2L II USM 
Canon EOS 7D Available!
October 24, 2009: Finally Amazon is delivering the new Canon EOS 7D! The body only is now available as well as the Canon EOS 7D Kit with the 28-135mm f/3.5-5.6 IS USM Standard Zoom Lens
Get yours while you can and enjoy its killer new features, I could use a better autofocus myself and the 8 fps speed!
Canon EOS 1D Mark IV
Pre-Order Canon EOS 1D Mark IV
LAKE SUCCESS, N.Y., October 20, 2009 – Canon U.S.A., Inc., a leader in digital imaging, is proud to introduce the next evolution in the EOS 1D series of cameras: the Canon EOS-1D Mark IV Digital SLR camera. The EOS-1D Mark IV is a high-speed multimedia performance monster with a 16-megapixel Canon CMOS sensor, Dual DIGIC 4 Imaging Processors, and 14-bit A/D data conversion, all at 10 frames-per-second (fps), with the widest ISO range Canon has produced to date. This new camera also features 1080p Full High-Definition video capture at selectable frame rates packaged in Canon’s most rugged and durable professional camera body.
The crowning achievement of Canon’s 1D Mark IV Digital SLR is its new autofocus system that starts with 45 AF points including 39 high-precision cross-type focusing points capable of tracking fast moving athletes or wildlife accurately at speeds up to 10 frames per second. With greater subject detection capability than ever before plus a newly redesigned AI Servo II AF predictive focusing algorithm, the Canon EOS-1D Mark IV camera sets new standards for autofocus performance among professional digital SLRs.
Whether shooting for the six o’clock news or the front page, the EOS-1D Mark IV Digital SLR is the quintessential camera to freeze fast-moving action with high-speed stills or capture stunning HD video with dynamic color and image quality. To accompany the new EOS-1D Mark IV Digital SLR camera, Canon is also announcing a new accessory, the WFT-E2 II A wireless file transmitter providing photographers with a wide range of professional digital connectivity options.
“Canon works hard to be the imaging leader in all our business endeavors. This goal has fueled our innovation and R&D efforts to engineer the most advanced autofocus system Canon has ever produced. We are proud to announce the camera that will deliver the ultimate in imaging quality to professionals working in all areas of multimedia imaging, whether it’s action photography, photojournalism or HD video and cinematography,” stated Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A.
The Canon EOS-1D Mark IV camera will intrigue professional photographers in virtually every category from photojournalism and sports through nature, wedding, portrait and fashion to commercial, industrial and law enforcement. What makes the EOS-1D Mark IV camera different from its predecessors, in addition to numerous focusing system and image quality improvements, is its exceptional Full HD video capture capability. With this new level of functionality, the 1D Mark IV Digital SLR is destined to appeal not only to professional still photographers but also to a diverse market of professional videographers and filmmakers who are looking for exceptional Full HD video quality, amazing low-light performance, outstanding portability and a level of durability unheard of in most HD video cameras in this price range.
New 45-Point Autofocus System
The new EOS-1D Mark IV Digital SLR camera features Canon’s most advanced Autofocus system to date. It is equipped with a newly developed 45-point AF sensor featuring 39 high-precision cross-type AF points, and an all new AI Servo II AF mode that gives still photographers the power and performance to track and focus a fast-moving subject at speeds up to 10 frames per second. With more than twice as many cross-type focusing points as the EOS-1D Mark III and a new AF sensor construction that improves performance in low light and with low contrast subjects, the EOS-1D Mark IV has greater subject detection capabilities than any previous EOS model.
To complete the range of AF improvements, Canon has developed a new AI Servo II AF predictive focusing algorithm that significantly improves responsiveness and stability by making better decisions on focus tracking in a variety of shooting conditions.
Amazing High ISO Performance
Wedding and event photographers shooting in low light without the benefit of a flash can take advantage of Canon’s widest ISO range and highest performance ever. The EOS-1D Mark IV camera’s ISO speed settings range from 100 up to 12,800 in 1/3 or 1/2 stop increments with ISO Expansion settings of L: 50 for bright light or H1: 25,600, H2: 51,200, and H3: 102,400 for even the most dimly lit situations. Photographers and documentary filmmakers working in available light will be impressed by the low-noise image quality of the 1D Mark IV, capturing amazing still images and video footage even at speed settings as high as ISO 12,800. High ISO, low light still images are further enhanced by Canon’s adjustable High ISO Noise Reduction feature, now a default setting in the camera.
The EOS-1D Mark IV, EOS HD Video Powerhouse
Over the past year, Canon’s EOS HD Video technology has changed the way users capture 1080p HD video and opened new doors for multimedia journalists and Hollywood cinematographers alike with full manual exposure control, selectable frame rates, and interchangeable lenses on some of the largest and most sensitive image sensors on the market. Canon continues this innovation trend with the new EOS-1D Mark IV Digital SLR with Full HD capture and full manual exposure control, plus selectable frame rates on an all-new
APS-H-sized image sensor that’s similar in size to a Super 35mm motion picture film frame. The large sensor allows filmmakers to achieve shallow depth-of-field just as cinematographers have traditionally done using much higher-cost motion picture equipment.
The more than 50 Canon EF lenses compatible with the EOS-1D Mark IV give videographers incredible creative options, including an impressive selection of large-aperture professional L-series primes as well as zoom lenses, macro, Tilt-Shift and Fisheye optics. The Canon EOS-1D Mark IV allows for three video recording resolutions – 1080p Full HD and 720p HD in a 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio. The camera will record Full HD at 1920 x 1080 in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); and 720p HD or SD video recording at either 50p or 60p (59.94). SD video can be recorded in either NTSC or PAL standards. Sound is recorded either through the internal monaural microphone or via optional external microphones connected to the stereo microphone input. The camera also provides an in-camera video editing function allowing users to remove the start or ending of a video clip directly in the camera to eliminate unwanted footage and speed up post-production.
Image Quality and Performance
The heart of the EOS-1D Mark IV camera’s outstanding image quality is a newly developed 16.1-Megapixel CMOS sensor featuring Canon’s latest and most advanced proprietary technologies. These technologies include improved photodiode construction to enhance dynamic range and gapless microlenses that are positioned closer to the photodiodes for improved light gathering efficiency. The transmissive quality of the color filter array has been enhanced to improve sensitivity. Canon has also upgraded the sensor circuitry to improve noise reduction before the image data is exported from the CMOS sensor to the rest of the image processing chain.
With 60 percent more pixels than the EOS-1D Mark III, the EOS-1D Mark IV Digital SLR employs Dual DIGIC 4 Image Processors with approximately six times the processing power of DIGIC III for full 14-bit A/D conversion at 10 fps. High-speed continuous shooting up to 121 Large JPEGs is possible using a UDMA CF card. This camera also features three RAW shooting modes for versatility with Full RAW (approx. 16 million pixels), M-RAW (approx. nine million pixels), and S-RAW (approx. four million pixels). Three additional JPEG recording formats (M1, M2 and Small) are also available.
The 14-bit per channel conversion facilitated by the dual DIGIC 4 Processors provides smoother tonalities in final images capturing all 16,384 distinct tones in each channel (red, green and blue) at the full 10 fps frame rate. RAW images shot on the new Canon EOS-1D Mark IV use the entire 14-bit space when converted to 16-bit TIFF files in Canon Digital Photo Professional (DPP) software, which is supplied with the camera at no extra charge. The 14-bit A/D conversion is also the foundation for Canon’s Highlight Tone Priority feature that takes maximum advantage of the camera’s extensive dynamic range to preserve detail in highlight areas of the image. Canon’s new EOS-1D Mark IV Digital SLR also features an improved white balance algorithm making colors more accurate when shooting under low color temperature light sources such as household tungsten lamps.
The EOS-1D Mark IV Digital SLR features Canon’s Peripheral Illumination Correction function which corrects darkening that can occur in the corners of images with most lenses when used at their largest apertures. When activated, it is automatically applied to JPEG images and video clips as they are shot. For RAW images, it can be applied in DPP software.
Other new features include a large three-inch solid structure Clear View II LCD screen with 920,000 dot/VGA resolution and a wide 160-degree viewing angle for enhanced clarity and more precise color when reviewing images and shooting video. The new in-camera copyright information feature helps professionals secure control over images by setting copyright data directly into the camera and appending that information to each image file in the Exif metadata. Additional features include a fluorine coating on the Low Pass Filter to further repel dust and enhance the EOS Integrated Cleaning System.
Minimize Post-Production with Enhanced Canon Auto Lighting Optimizer
Action photography truly is all about speed, capturing a fast subject with fast focusing and fast frame rates. However, all this speed might be wasted if it is slowed down by lengthy post-production procedures to adjust image quality. The EOS-1D Mark IV Digital SLR helps reduce post-production work with a powerful new Auto Lighting Optimizer (ALO) system. When enabled, Canon’s ALO automatically adjusts the image for optimal brightness and contrast on the fly during in-camera image processing, reducing clipped highlights while keeping shadowed areas as clear and detailed as they actually appear. By optimizing brightness and contrast in-camera, Canon’s ALO system significantly reduces the need for post-production image optimization, and gives photographers image quality they can take directly to press. Demanding professional photographers who tested ALO clearly stated that this one feature will reduce their post-production image optimization process by more than 75 percent. Canon’s ALO works with both RAW[i] and JPEG images as well as video recording.
Rugged Reliability
Canon has taken every measure to ensure that the EOS-1D Mark IV Digital SLR camera has the highest degree of weather resistance in the EOS line. The 1D Mark IV camera incorporates a wide range of design features that enhance its durability and reliability for professional assignments. For example, the 1D Mark IV’s body, chassis and lens mount are completely weather-resistant and 76 gaskets and seals surround all buttons and seams. The body covers and internal chassis, including the mirror box, are constructed with magnesium-alloy, one of the strongest and rigid metals available for its weight. For added strength, the lens mount is constructed with stainless steel. In fact, when used with Canon’s Speedlite 580EX II and/or most current L-series lenses, the entire camera system remains fully weather resistant, so professionals can concentrate on getting the shot instead of worrying about protecting their gear.
New Wireless Connectivity
Canon is announcing the availability of the new WFT-E2 II A* wireless file transmitter exclusively for the EOS-1D Mark IV Digital SLR camera. The WFT-E2 II A wireless transmitter is an extremely small and versatile device that offers professional photographers a wide range of digital connectivity options including IEEE802.11a/b/g and Ethernet, ideal for commercial and studio work. In addition to adding the ability to connect to wireless networks over 802.11a, the new WFT-E2 II A adds a wealth of new professional features to the photographer’s tool kit. The new Camera Linking feature allows a single photographer to simultaneously fire up to 10 cameras remotely; and the updated WFT Server mode lets you remotely use Live View, control settings, and fire the EOS-1D Mark IV over the internet from anywhere in the world using a standard Web browser or many Web-enabled smart phones. Additionally, geotagging is now possible via Bluetooth, using compatible GPS devices to append coordinate data to the images.
Pricing and Availability
The Canon EOS-1D Mark IV Digital SLR camera is scheduled to be delivered to U.S. dealers in late December, and will be sold in a body-only configuration at an estimated retail price of $4,999.00[ii]. Final pricing and availability for the Canon WFT-E2 II A wireless file transmitter will be available later this year.
Canon Announces EOS 7D
AVAILABILITY UPDATE! October 22, 2009
Canon EOS 7D in stock and shipping! CLICK HERE TO ORDER the Canon EOS 7D on Amazon
AVAILABILITY UPDATE!
Lisette Ranga, a camera marketing representative at Canon USA, indicates that units of the new Canon EOS 7D
CANON U.S.A. REDEFINES MID RANGE DSLR CATEGORY WITH THE NEW EOS 7D DIGITAL SLR CAMERA
Order the new Canon EOS 7D on Amazon.com
LAKE SUCCESS, N.Y., September 1, 2009
– Canon U.S.A., Inc., a leader in digital imaging, today introduced a revolutionary camera that redefines the highly competitive mid-range DSLR product category: the Canon EOS 7D Digital SLR camera. Professional photographers and advanced amateurs have been demanding higher performance and more diverse functions in their cameras, and Canon has answered – with the new EOS 7D. Far more than a slight improvement from a previous model, the EOS 7D DSLR is a brand new product that stands on its own with new features never before seen in any Canon camera. Whether it’s shooting at eight frames per second (fps), focusing with the new Zone AF mode or recording 24p Full HD video, the EOS 7D DSLR camera satisfies the most rigorous professional requirements with durability, flexibility, high-resolution images and customizable controls. With its unprecedented out-of-the-box performance and high-end feature set, the EOS 7D is poised as the ultimate step-up camera for serious photographers or a second camera for professionals in the field.
The Canon EOS 7D boasts significant EOS advancements including a completely new 19-point Autofocus system, a new Canon iFCL Metering System (Intelligent Focus, Color, Luminance) and a new Intelligent Viewfinder. An 18-megapixel Canon CMOS sensor and Dual DIGIC 4 Imaging Processors fuel the EOS 7D’s 14-bit A/D data conversion and its ability to freeze fast motion in high-resolution with eight fps continuous shooting up to 126 Large JPEGS using a UDMA CF card, positioning this camera for the studio as well as the sideline. The EOS 7D captures beautiful low-light images with or without a flash, at occasions such as a dance recital or wedding reception, thanks to a wide range of ISO speed settings from 100-6400 (expandable to 12,800). In addition to its new still capture capabilities, the EOS 7D features Full HD video capture at 1920 x 1080 resolution with selectable frame rates of 24p, 25p or 30p. Native 24p recording helps videographers achieve a more cinema-style look for their footage without the need for post-processing.
“The Canon EOS 7D represents a completely new chapter in digital photography and Canon product development. This camera stands alone as the most functional and innovative DSLR Canon has released to-date, bringing together all of the best professional features offered, along with numerous user requests at a price-point everyone can appreciate,” stated Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A.
The Evolution of Vision, the EOS 7D’s New Autofocus System
The Canon EOS 7D boasts the most advanced AF system ever seen in an EOS SLR. The completely re-designed system includes a new multi-axis cross-type 19-point AF grid, where the focusing points are evenly spread out across the image plane and clearly displayed through Canon’s new Intelligent Viewfinder. All 19 points are f/5.6-sensitive for both horizontal and vertical cross-type focusing, while the center AF point adds high-precision diagonal cross-type sensitivity for f/2.8 and larger aperture lenses. The Canon EOS 7D Digital SLR camera is the first EOS SLR to feature 19 cross-type focusing points that remain fully functional with maximum apertures as small as f/5.6, which brings the performance of the AF system to unprecedented levels for assignments as varied as fast-moving sports action or low-light wedding ceremonies.
The Canon EOS 7D’s AF system allows numerous AF area selection modes never seen before in an EOS SLR camera. New modes include:
- Spot AF mode reduces the size of a single AF point to focus on small subjects like an animal in a cage.
- AF Point Expansion mode uses a cluster of AF points adjacent to the selected AF point to automatically assist focusing on moving subjects, such as an athlete on the run.
- Zone AF divides the 19 AF points into five selectable focusing zones and makes it easier to achieve focus with subjects that are difficult to track with Single Point AF or AF point expansion, such as birds in flight.
Additional AF improvements include a revised Automatic AF point selection sequence that allows a user to pick any one of the 19 AF points as a starting point for tracking moving subjects in AI Servo mode. (Previous EOS models required the subject to first be acquired by the center focusing point.) If the subject moves away, the camera will continue to track the movement with the remaining points and display the active focusing point in the viewfinder. Also, a time-saving feature is AF Point Switching, which allows photographers to select and register one AF point for horizontal compositions and a second AF point for vertical shooting, ideal for studio and portrait photographers.
To complement the new AF system, the exposure metering system for the Canon EOS 7D has been completely re-designed to take color information into account, another first for an EOS system. Canon’s iFCL metering includes a 63-zone dual-layer metering sensor that reads both illumination and color for consistent results in all lighting conditions, keeping exposure levels stable from shot to shot, even as the light source changes.
Canon’s new Intelligent Viewfinder uses a liquid crystal overlay to provide clear and precise displays of focusing points and zones, on-demand grid lines and a spot metering circle. The LCD overlay can also be illuminated in extreme low-light situations or turned off completely. The EOS 7D camera’s viewfinder includes a large all-glass pentaprism with an antireflective coating to maximize clarity and provide a brighter display. The EOS 7D’s Intelligent Viewfinder features 1.0x magnification with 100 percent coverage for accurate composition and checking of detail.
EOS HD Movie: Empowering the World of Videography
Canon has blazed new trails in HD video capture with the 5D Mark II. Now, the EOS 7D takes DSLR video to new heights with Full HD capture featuring fully manual exposure control, and selectable cinematic frame rates for both NTSC (National Television System Committee) and PAL (Phase Altering Line) standards. Compatible with more than 60 Canon EF and EF-S lenses, the EOS 7D lets videographers take full advantage of the camera’s large CMOS sensor to achieve the dramatic frame composition they desire. At the heart of the EOS 7D are two key proprietary Canon technologies, Dual DIGIC 4 Imaging Processors and a large APS-C–sized CMOS sensor, helping to render stunning color reproduction, amazing depth of field and fine detail, even in low-light conditions. The Canon EOS 7D allows for three video recording modes – Full HD and HD in a 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio, all at selectable frame rates. The EOS 7D Digital SLR camera will record Full HD at 1920 x 1080 pixels in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); 720p HD recording at 50p or 60p (59.94) and SD video at frame rates of 50p or 60p (59.94). The EOS 7D features a new dedicated button to initiate live view for both video and still shooting. Once engaged, the same dedicated button will start and stop video recording. Like the EOS 5D Mark II, the Canon EOS 7D Digital SLR camera provides users with the capability to use an external stereo microphone for professional audio effects or a built-in monaural microphone for convenience.
The Features You Asked For
A helpful new tool for architectural and landscape photography where angles and perspective are critical is Canon’s new built-in Dual Axis Electronic Level ( I could myself use this feature on any camera…please Canon!), featuring an artificial horizon over the image on the rear LCD screen in Live View or in the viewfinder using illuminated AF points for easy leveling while shooting. The dual axis electronic level shows both horizontal roll and vertical pitch, making it easy to identify when the camera is in a fixed level shooting position and ready to take the shot.
The EOS 7D’s pop-up flash features a built-in Integrated Speedlite Transmitter for control of multiple off-camera EOS Speedlites without the need for an external transmitter. This built-in wireless option is a compact and economical solution for studio and wedding photography with multiple flash set-ups.
A new Intelligent Macro Tracking function helps reduce blur during macro shooting by recognizing when a macro lens is attached and automatically adjusting the AI Servo sampling frequency. This AI Servo adjustment accounts for camera movement forward and back, a typical occurrence when moving in close for a macro shot as photographers rock back and forth, or a flower blows in the wind.
Once in your hands, you can immediately feel the ergonomic improvements of the Canon EOS 7D camera, starting with a new super-fluid body design with continuous curves outlining the top of the camera and a revised grip that fits better in a user’s hand. The camera has a new Quick Control Button, which opens an easy-to-navigate menu on the camera’s LCD screen. From this menu, users can adjust all camera settings including AF modes as well as set custom button functions, an insightful new feature that can easily customize each button’s function to the photographer’s preference. Another new feature is the RAW/JPEG toggle button providing quick dual-format shooting, allowing photographers to quickly add large JPEG or RAW file formats to their already selected shooting mode at the touch of a button.
The Canon EOS 7D camera also features a new large, clear 3.0-inch solid structure Clear View II LCD screen with 920,000 dot/VGA resolution for enhanced clarity and color when viewing images. The camera’s nine internal seals enhance weather resistance, and its 150,000-cycle shutter durability positions the EOS 7D as a “workhorse” for professionals in any photography discipline.
New Wireless Connectivity
Canon is announcing the availability of the new WFT-E5A wireless file transmitter (WFT) exclusively for the EOS 7D Digital SLR camera. The WFT-E5A wireless transmitter offers professional photographers a wide range of digital connectivity options including IEEE802.11a/b/g and Ethernet, ideal for commercial and studio work. The WFT-E5A wireless file transmitter opens the door to new possibilities in remote and Geotagged shooting applications. Photographers can fire up to 10 cameras simultaneously from across the room or across the country while maintaining control over camera settings and remote live view on a laptop or smart phone.[i] The WFT-E5A wireless transmitter can also transfer and display images on DLNA (Digital Living Network Alliance) compatible televisions and photo frames. Geotagging is now possible via Bluetooth, using compatible GPS devices to append coordinate data to the images.
Pricing and Availability
The Canon EOS 7D Digital SLR camera is scheduled to be delivered to U.S. dealers at the end of September, and will be sold in a body-only configuration at an estimated retail price of $1,699.00[ii]. It will also be offered in a kit version with Canon’s EF 28-135mm f/3.5-5.6 IS USM zoom lens at an estimated retail price of $1,899.00[iii]. The Canon WFT-E5A wireless file transmitter is scheduled to be available in early November and sell at an estimated retail price of $699.99[iv].
New 19-point, all cross-type AF system equipped with dual diagonal cross-type sensors
Canon packed its most advanced technologies into the EOS 7D’s AF system. With 19 high precision, cross-type AF sensors, any of which can be selected automatically or manually, the EOS 7D is equipped to handle even the trickiest of focus situations with ease. The high-speed microcomputers in the EOS 7D use advanced algorithms that help ensure the fastest, most accurate AF performance under the widest variety of conditions. In addition, Canon’s Light Source detection AF automatically compensates the focus by taking into account artificial lighting sources and making appropriate adjustments and the EOS 7D’s new Intelligent Macro focusing tracks the object or the cameras movement when shooting close-up, to ensure focus is never lost. AF modes can be customized to suit the situation, ensuring reliable focus, every time.
Order the new Canon EOS 7D on Amazon.com
Photofocus/Scott Bourn si doing a contest where you can actually win a Canon 7d!
Check it out here: http://scottbourne.com/post/194276786/win-a-canon-7d
Canon EOS 7D and 5D Mark II used on TV Show “Numb3rs”
Canon EF 85mm f1.2L II USM Autofocus Speed Test
Since I were once worried myself about the Canon EF 85mm f1.2L II USM
The Canon EF 85mm f1.2L II USM
If you are shooting portraits with the Canon EOS 5D Mark II and the Canon EF 85mm f1.2L II USM
or with the Canon EF 50mm f/1.2 L USM
Please see my other post about it here, with details from Chuck Westfall.
New Canon EF 100mm f/2.8 Macro IS USM: The First Camera Lens Featuring Hybrid Image Stabilization
Pre-Order the new Canon EF 100mm f/2.8L IS USM on Amazon.com
Lake Success, N.Y., September 1, 2009 – Canon U.S.A., Inc., a leader in digital imaging, continues its advancement of EOS lens technology with the introduction of three new EF and EF-S lenses – EF 100mm f/2.8L Macro IS USM, EF-S 15-85mm f/3.5-5.6 IS USM and the EF-S 18-135mm f/3.5-5.6 IS, lenses. The new EF 100mm f/2.8L Macro IS lens is the world’s first camera lens featuring Canon’s new Hybrid Image Stabilization (Hybrid IS) technology*, compensating for both angle camera shake and shift camera shake, up to four shutter speed steps. The EF 100mm f/2.8L Macro IS USM lens is compatible with all EOS cameras, while the EF-S 15-85mm and EF-S 18-135mm zoom lenses are designed specifically for Canon digital cameras that are compatible with EF-S lenses.**
EF 100mm f/2.8L Macro IS USM lens
The EF 100mm f/2.8L Macro IS USM lens could very well be the essential multipurpose lens for every camera bag due to its ability to capture sharp close-up images of small objects as well as beautiful portrait-length telephoto shots. The incorporation of Canon’s new Hybrid IS in this L-series macro lens allows it to compensate more effectively for camera shake during close-up shooting and marks a significant improvement for professionals and advanced amateurs utilizing macro photography for portrait, nature or wedding shoots.
New Hybrid IS Technology: Designed Especially for Macro Photography
The world’s first* optical image stabilizer for SLR cameras was introduced in the EF 75-300mm f/4-5.6 IS USM in 1995. Since then, Canon has made continual advancements in IS systems to enhance panning capability and improve compensation for camera shake. Now, in a move aimed at extending image stabilization to the macro realm, Canon introduces its Hybrid IS in the new EF 100mm f/2.8L Macro IS USM – another first for Canon and the world.
Conventional image stabilization technology is useful for reducing the effects of camera shake in non-macro shooting situations. When shooting handheld close-ups at 1x, however, camera shake makes it difficult to achieve acceptable results even with lenses incorporating conventional image stabilizers. Now, thanks to the Hybrid IS found in the EF 100mm f/2.8L Macro IS USM, Canon extends IS technology to the macro realm, making it easy to obtain clear handheld close-ups – a world first* and a definite advantage in environments where use of a tripod is not an option.
In order to combat the effects of camera shake in a macro lens, the IS system must be able to compensate for both angular camera shake and shift camera shake – problems that become more apparent as magnification increases. The effects of shift camera shake are rarely noticeable when shooting outside the macro realm, such as in landscape photography. But when shooting extreme close-ups, even the slightest amount of camera shake, either of the angular or shift variety, can adversely affect image quality.
In macro photography, shift camera shake and angular camera shake affect both the image formed on the sensor and the image shown in the viewfinder. This is especially relevant to handheld shooting at 1x, since the inability to properly compose and focus due to a shaky image in the viewfinder makes it extremely difficult to record sharp images.
Conventional image stabilizers of the type found in Canon IS lenses incorporate an angular velocity sensor (vibration gyro) to compensate for angular camera shake. Based on the amount of camera shake detected by the sensor, the IS system calculates the amount of blur on the image plane, after which lens elements in the IS are positioned to compensate for the shake. However, this type of image stabilizer can neither detect nor correct shift camera shake common to handheld macro photography.
The Hybrid IS includes an acceleration sensor in addition to the conventional angular velocity sensor (vibration gyro). Based on the amount of camera shake detected by the two sensors, a newly developed algorithm calculates the amount of blur on the image plane, after which lens elements in the IS are positioned to compensate for the two types of shake – a first in an interchangeable lens for SLR cameras and an excellent way to solve the problem of camera shake in macro photography.
Pricing and Availability
The Canon EF 100mm f/2.8L Macro IS USM is scheduled to be available at the end of September and sell at estimated retail prices of $1,049.00.
Pre-Order the new Canon EF 100mm f/2.8L IS USM on Amazon.com
Canon unveils its new PowerShot G11 Camera
August 19, 2009: Canon today announces the launch of the feature packed Canon PowerShot G11
Commenting on his use of the predecessor to the Canon PowerShot G11
Gary Knight from VII making the Powershot G10 the ultimate street camera:
To achieve this I need a camera that offers great image and build quality without the bulk, and the PowerShot G series is perfect for this purpose. When shooting in areas of conflict, it’s important to have a compact camera in my bag that allows me to work discreetly but also provides the level of quality required to get the photos I need. The G Series excels in this respect, delivering great quality images from a compact body that is less intimidating than that of an SLR.”
Professional photographers will benefit from the Canon PowerShot G11
The premium quality Canon lens delivers picture-perfect performance, offering a 5x wide angle (28mm) zoom with optical Image Stabilizer (IS). This allows handheld shots to be taken at much slower shutter speeds (4-stops) than conventional non-IS models – allowing perfect shooting in darker conditions or at a lower ISO. Greatly reducing blur caused by camera shake, photographers can shoot at longer focal lengths and in lower light conditions without the need for a tripod.
The digital compact includes the ability to shoot in RAW format and is compatible with Canon’s Digital Photo Professional (DPP) software, ensuring that photo shoots can be easily integrated into a photographer’s workflow.
Stephen Munday, Senior Operations Director, Editorial, Getty Images, comments: ”The quality of images delivered by the PowerShot G series are so good that we use G10 images within our editorial library, and our photographers using the G series models do so because of the image quality and flexibility they provide.”
He continues, “The unpredictable nature of news photojournalism requires our photographers to get shots in all kinds of situations, and the size of the G10 allows them to do that without drawing too much attention to themselves. The low-light capabilities of the new Canon PowerShot G11
Alongside superb image quality, the compact size of the PowerShot G11
“I’ve been a user of the G series since the G5” says Edmond Terakopian, photojournalist and winner of the British Press Awards Photographer of the Year and a World Press Photo award for Spot News. “Recently I’ve been using the G10 which is absolutely spot on; image quality, usability, reliability and build quality are all excellent. It’s the one camera that’s always with me, no matter where I am; whether on or off duty. I know I can rely on it to help me get the picture, no matter what.
Over the years I’ve used my G Series cameras on the occasions when assignments have needed discretion. It’s a satisfying feeling telling a picture editor that the photograph he’s just complemented was from a compact camera.”
The Canon PowerShot G11
The camera’s highest flash synchro speed has been increased to 1/2000th seconds, reducing the possibility of overexposed bright scenes. A real time histogram displays brightness levels on the PureColor II VA LCD screen, so photographers can easily view conditions and change settings when shooting.
The Canon PowerShot G11
The Canon PowerShot G11
New Canon Hybrid IS world’s first image stabilizer to compensate for two types of camera shake
TOKYO, July 22, 2009—Canon Inc. announced today the development of Hybrid Image Stabilizer (IS), the world’s first* optical image stabilization technology that compensates for both angle camera shake and shift camera shake. The technology will be featured in interchangeable single lens reflex (SLR) camera lens planned for commercial release before the end of 2009.
Several different preventative methods and corrective procedures have been introduced to compensate for errors caused by camera shake, which occurs when a camera moves while its shutter is open and its image sensor is exposed to light.
Canon began researching methods to compensate for camera shake in the 1980s, and in 1995 launched the EF 75-300mm f/4-5.6 IS USM, the world’s first interchangeable SLR camera lens to feature a mechanism that compensates for optical camera shake. Since then, the company has continued to produce a variety of interchangeable lenses with image stabilization capabilities, and boasts a total of 21 such lenses in its current product lineup.
Canon’s newly developed Hybrid IS technology optimally compensates for angle and shift camera shake. Sudden changes in camera angle can significantly alter images taken during standard shooting, whereas shift-based shaking, which occurs when a camera moves parallel to the imaging scene, is more pronounced in macro photography and other close-range shooting.
The new Hybrid IS technology incorporates an angular velocity sensor that detects the extent of angle-based shaking and is found in all previous optical image stabilizer mechanisms, as well as a new acceleration sensor that determines the amount of shift-based camera shake. Hybrid IS also employs a newly developed algorithm that synthesizes information from the two sensors to make optimal adjustments, thereby dramatically enhancing the effects of image stabilization during shooting, including macro shooting, which had proven difficult for conventional image stabilization technologies.
Canon is actively engaged in ongoing research and development of interchangeable SLR camera lenses incorporating Hybrid IS technology, and is aiming for the early commercialization and inclusion of the lenses in a wide range of products.
New Canon 5D Mark II Magic Lantern Firmware!
From the Magic Lantern site
Magic Lantern is an open platform for developing enhancements to the amazing Canon 5D Mark II full frame digital SLR. This camera is a “game changer” for independent film makers:
- It allows the use of a wide range of lenses (anything that can be adapted to the EF mount).
- The 35mm full-frame sensor is larger than the RED ONE’s sensor, Super 35 film. It is approximately the size of VistaVision. This means shallower native depth-of-field than anything on the market, except for the Phantom 65.
- The dynamic range and latitude are close to the capabilities of high-end HD cameras.
- The low-light performance is currently unrivaled, even by the RED ONE.
But, the software in video mode has limitations, even after the recent 1.1.0 upgrade from Canon that fixed the most glaring manual exposure “bug”.
That’s where Magic Lantern comes in — it turns your 5D Mark II 
- On-screen audio meters
- Disabled AGC
- Manual gain control
- Zebra stripes (video peaking)
- Crop marks for 16:9, 2.35:1 and 4:3
Magic Lantern firmware introduction from Trammell Hudson on Vimeo.
Kodak today announced they’ll retire KODACHROME Film after a 74 year run!
Kodachrome 25
From the Kodak site:
June 22, 2009
A Tribute to KODACHROME: A Photography Icon
They say all good things in life come to an end. Today we announced that Kodak will retire KODACHROME Film, concluding its 74-year run.
It was a difficult decision, given its rich history. At the end of the day, photographers have told us and showed us they’ve moved on to newer other Kodak films and/or digital. KODACHROME Film currently represents a fraction of one percent of our film sales. We at Kodak want to celebrate with you the rich history of this storied film. Feel free to share with us your fondest memories of Kodachrome.
“Before digital, Kodak was already shifting gears–moving away from the boundaries of KODACHROME (long lab times, fewer labs, a more environmentally friendly, as well as constrained, chemistry)” said Meola. “E100SW and E100VS were a natural evolution of the KODACHROME look, and made my life a lot easier. And they kept all the great things about KODACHROME –long latitude, fine grain, great color–and made it easier for me to get processed anywhere. In some ways, those films were natural predecessors to the digital age.”
Steve McCurry, whose picture of a young Afghan girl captured the hearts of millions of people around the world as she peered hauntingly from the cover of National Geographic Magazine in 1985, offered these words:
“The early part of my career was dominated by KODACHROME, and I reached for that film to shoot some of my most memorable images,” said McCurry. “While KODACHROME Film was very good to me, I have since moved on to other films and digital to create my images. In fact, when I returned to shoot the ‘Afghan Girl’ 17 years later, I used Kodak’s E100VS film to create that image, rather than KODACHROME Film as with the original.”
End of an era, BUT for most it ended quite a long time ago with digital, heck for me even before with Fujichrome Velvia.
Testing with Canon EF 85mm f/1.2L II USM
wide open. The AF speed of the L II is not bad at all either, kinda of slow but faster than I thought anyway.
The Canon Eg-S Focusing Screen
If you do install the Canon Eg-S precision matte screen, do not forget to change the C.Fn IV -5 setting to match the focusing screen type. This is to obtain correct exposure.
The full frame sensor of the 5Dm2 and its depth is a dream come true! Picture taken @ 1/2000 sec. f 1.2 ISO 400. Click thumbnail to see a larger image.
Testing Canon 5DMII
PS: I just installed the Canon Eg-S Focusing Screen
I finally got in the Canon EOS 5D Mark II
I still have to install the Canon precision screen EG-S which should help a lot to focus with lenses 2.8 and brighter. I can’t wait to do some aerial photography with the Canon 5D Mark II, the files are a whopping 60+MB and have lots of details! I got me the Sandisk 32GB Extreme III
“Chuck Westfall:
That said, it is true that most standard focusing screens for modern SLRs such as the EOS 5D are designed to provide a reasonable balance between viewfinder brightness and manual focusing capability. The Ee-A standard focusing screen for the EOS 5D is bright enough (and accurate enough) for manual focusing under most lighting conditions with virtually any EF lens regardless of maximum aperture. However, because of the design of the microlenses on the surface of the Ee-A, the depth of field shown through the viewfinder never appears be shallower than approximately f/2.8. Therefore, when using a lens faster than f/2.8, the depth of field in the resulting photograph may be shallower than what’s shown in the viewfinder if a working aperture larger than f/2.8 is selected. This effect can be readily seen when comparing the viewfinder image to the LCD screen during replay, if you take time to look for it.”
“If this is an issue for you, Canon offers an optional focusing screen called the Ee-S Super ( Eg-S for Canon 5DMII
Canon Lens Making 3
httpv://www.youtube.com/watch?v=_IdeWzbQ_hA&feature=channel_page
No wonder these dang lenses need to be micro adjusted…all done by hand?!?
Canon Lens Making 2
httpv://www.youtube.com/watch?v=IzDPSi–3bg&feature=channel_page
Canon Instant Rebates
If you thinking of buying some new Canon cameras now it’s the time since the USA Instant rebates will start on May 3, 2009! $130 off that 85 mm 1.2 its not a bad deal .
CANON INSTANT REBATES: May 3 – July 11, 2009
Camera Bodies
EOS 50D Kit + EF-S 18–200mm f/3.5–5.6 IS – $300
EOS 50D EF-S 18–200mm IS Kit – $300
EOS 50D EF 28–135mm IS Kit + EF-S 18–200mm f/3.5–5.6 IS – $300
EOS 50D Kit + EF 70–300mm f/4–5.6 IS USM – $150
EOS 50D EF 28–135mm IS Kit + EF 70–300mm f/4–5.6 IS USM – $150
EOS Rebel XSi EF-S 18–55mm IS Kit (B) + EF-S 55–250mm f/4–5.6 IS – $200
EOS Rebel XSi EF-S 18–55mm IS Kit (S) + EF-S 55–250mm f/4–5.6 IS – $200
EOS Rebel XS EF-S 18–55mm IS Kit (B) + EF 75–300mm f/4.5–5.6 III – $100
EOS Rebel XS EF-S 18–55mm IS Kit (S) + EF 75–300mm f/4.5–5.6 III – $100
Lenses
EF 200mm f/2L IS USM – $500
EF 85mm f/1.2L II USM – $130
EF 70–200mm f/2.8L IS USM – $200
EF 100–400mm f/4.5–5.6L IS USM – $100
EF 16–35mm f/2.8L II USM – $100
EF 50mm f/1.2L USM – $100
EF 24–70mm f/2.8L USM – $80
EF 70–200mm f/4L IS USM – $75
EF-S 17–55mm f/2.8 IS USM – $70
EF-S 10–22mm f/3.5–4.5 USM – $50
EF 17–40mm f/4L USM – $50
EF 70–200mm f/4L USM – $40
EF-S 17–85mm f/4–5.6 IS USM – $50
EF 100mm f/2.8 MACRO USM – $35
EF-S 60mm f/2.8 MACRO USM – $30
EF 28–200mm f/3.5–5.6 USM – $30
EF 28–105mm f/3.5–4.5 II USM – $20
EF-S 18–55mm f/3.5–5.6 IS – $15
Flash Units
SPEEDLITE 580EX II – $50
SPEEDLITE 430EX II – $30
SPEEDLITE 220EX – $30
MACRO TWIN LITE MT-24EX – $70
MACRO RING LITE MR-14EX – $50
Pre-Order on Amazon the Complete First Season